The term is used in Kendo (the art of swordplay), where it means fancy footwork. Going to court, for instance, often requires sabaki to ensure a good result. In ordinary parlance, sabaki means handling or treatment. In Japanese dictionaries, sabaki is translated as handling, treatment, management, and disposal manipulation. The opponent may not like the result and play different, in which case one can then be satisfied with the indirect defense of a weakness and better follow up moves for making good shape. Meanwhile, one makes sabaki by building outside thickness or a formation where eyes can be attained. This often involves a sacrifice which serves to force the opponent to go around capturing before he can resume to attack. use forcing moves before playing a vital point. To avoid a heavy group, one can kind of reposition, step aside, with a light move that aims to utilize a coming attack for the (quick) development of stones, i.e. A group that ends up as heavy has failed to make sabaki. Though sabaki does not refer to shape rather, it is a way of playing, it is often used to avoid heavy shape. techniques that are the opposite of clumsy play.skillful process of successfully handling an awkward situation.As such, the exact rendering of sabaki can vary depending on the context and, as a result, has seen broader attempts at defining.īroad definitions of sabaki are more like the following: The local objective may only be a means to a global (larger) strategic objective. For example, the process of sabaki could involve other aims, such as reducing in sente by means of sacrifice(s) or tempting the opponent into a disadvantageous large-scale fight. While sabaki involves making light shapes and occasionally settling groups through shinogi, it doesn't exactly equate to either of these. ![]() Vital Points and Skillful Finesse for Sabaki: the art of handling stones that are in dangerous situations. The Chinese Opening: Settling a group by making a flexible and resilient shape. Strategic Concepts of Go: the development of stones in a dangerous situation in a kind of quick, light and flexible way, either to escape or to make eyes if necessary. Opening Theory Made Easy: Making light flexible shape in order to save a group. Įnclosure Josekis: Making a light, flexible shape which makes it difficult for the opponent to launch a severe attack. It helps that in the Example 2 Black stretched with, but in Example 1 Black captured instead (to where White would play ).Ī Dictionary of Modern Fuseki: make good shape, rich in eye potential, so that your stones, if attacked, can easily make eyes or escape into the center. If White just plays ordinary moves such as and here, the feeling is clumsy and the result a heavy group.
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